University of Mississippi

Jay Watson will discuss his new book, “Reading for the Body: The Recalcitrant Materiality of Southern Fiction, 1893-1985,” at Off-Square Books on August 27.


Jay Watson signs READING FOR THE BODY on August 27, at 5:00p.m. at Off-Square Books.  For more information, click here.

Southern Writers/Southern Writing Conference July 12-14, 2012

The English department at the University of Mississippi is proud to host its 18th annual Southern Writers/Southern Writing Graduate Conference this July 12-14. The conference will run immediately after the Faulkner and Yoknapatawpha conference, and will feature graduate panelists from across the United States speaking on Southern literature and film.

 

We are especially excited to host our plenary speaker Dr. Suzanne Marrs of Millsaps College. Dr. Marrs is Eudora Welty’s close friend and official biographer and will be speaking on the relationship between Eudora Welty and William Maxwell. Her address is entitled “Eudora Welty and William Maxwell:  Writers’ Notes on Writing Fiction.”

 

All panels will be held in the Barnard Observatory and will be free and open to the public. Anyone who wants to attend the awards breakfast or the wine and cheese reception, though, will need to pay a small fee. Those interested should contact Victoria Bryan at vmbryan@olemiss.edu.

 

Help us spread the word about this exciting event, and consider dropping by for some interesting discussion!

 

 

Schedule of Presentations:

 

Thursday 12 July 2012

 

2:00-5:00      Registration—Barnard Observatory Lobby

 

7:00-9:30      Reception at The Blind Pig

 

Featuring a Creative Panel with Readings By:

Jimmy Cajoleas, University of Mississippi

Gary Sheppard, University of Mississippi

Dotty Knight, University of Mississippi

Michael Shea, University of Mississippi

 

Friday 13July 2012

 

8:00-8:30      Coffee & Breakfast—Barnard Observatory Lobby

 

8:45-9:15      Welcome—Barnard Observatory—Tupelo Room

Dr. Annette Trefzer, Director of Graduate Studies, Department of English,

University of Mississippi

Dr. Ted Ownby, Director, Center for the Study of Southern Culture

 

9:30-11:00    Simultaneous Sessions

 

Panel 1A – Performing Race/Sexuality

Barnard Observatory, Tupelo Room

Chair: Elizabeth Fielder

 

“The Scenery, Spectacle, and Performance of Blackness in Walker Percy’s The Moviegoer and Richard Ford’s A Piece of My Heart” 

Ebony McNeal, University of Mississippi

 

“The Eves of Destruction: Modes of Travel as Embodiments of Female Sexuality in Jonah’s Gourd Vine

Amy Glaves, Northern Illinois University

 

“Performing Sexuality in Ossie Davis’s Purlie Victorious

Elizabeth Fielder, University of Mississippi

 

Panel 1B – God, Religion, and Meaning-Making

Barnard Observatory, Room 108

Chair: Ben Lowery

 

“‘Stairwell to Nowhere’:  Apophatic Theology in McCarthy’s Suttree

Jay Beavers, Baylor University

 

“God’s Grace is Hard to Find: The Misfit as Existential Doorkeeper”

Danielle S. Ely, The College of Saint Rose

 

“Yoknapatawphan Scripture: Approaching Absalom, Absalom! through Wellhausen’s Documentary Hypothesis”

Justin Ness, Northern Illinois University

 

11:00-1:00    Lunch on your own

 

1:00-2:30      Simultaneous Sessions

 

Panel 2A –Gender, Desire, Control

Barnard Observatory, Room 108

Chair: Alexandra Blair

 

“The Presence of ‘All Bodies and Nobodies’ in Jean Toomer’s Cane

Jill Goad, Georgia State University

 

“Disciplining Gender in Carson McCullers’ Short Stories”

Amanda Walsh, Northern Illinois University

 

“‘Hongry for what you denied it’: Queer Hunger, Feeding, and Eating in Song of Solomon

Carrie Tippen, Texas Christian University

 

Panel 2B – Creating Culture

Barnard Observatory, Room 109

Chair: Meredith Harper

 

“‘Thar’s a Sight of Things I Hate to Leave Here’: The Fading Teleology of Material Culture in James Still’s River of Earth

Jason Hardy, University of Tennessee

 

“Political Discourse and Folk Music of the Confederacy”

Andrew Pearcy, University of Tennessee at Chattanooga

 

“Cormac McCarthy’s Suttree: A Deflation of the Myth of Societal Escape”

Brandon Haynes, University of Tennessee

 

2:45-4:15     Simultaneous Sessions

 

Panel 3A – Trauma

Barnard Observatory, Tupelo Room

Chair: Bill Phillips

 

“Good Mourning, Deuil bonne: On Grieving, Performance and the Liminal Self”

Daniel Irving, Stony Brook University

 

“‘Cooked and Et’: Abjection and the Corpse in William Faulkner’s As I Lay Dying.”

Bill Phillips, University of Mississippi

 

Panel 3B – Teaching as a Graduate Student: Approaches and Advice

Barnard Observatory, Room 108

Chair: Ebony McNeal

 

Roundtable Panelists from the University of Mississippi:

Elizabeth Fielder

Ebony McNeal

Dave Miller

LaToya Jefferson

Anne Babson

Meredith Harper

Chris O’Brien

 

Panel 3C – New Places, Old Spaces: Examining Themes of Place as Space and Time in the Fiction of Eudora Welty

Barnard Observatory, Room 109

Chair: Ramona Wanlass

 

“‘A Seething Lush Hell’: The Gendered Landscape in Delta Wedding

Susie Penman, University of Mississippi

 

“Unpacking History and Uncovering Homodesire: How Welty’s Use of Historical Characters Shrouds the Appearance of Male Homosexuality in ‘The Wide Net’”

Ramona Wanlass, University of Mississippi

 

“No Time for You My Love: Eudora Welty and the Dissonance of Modern Temporality”

Josh Lundy, University of Mississippi

 

4:30-5:30      Plenary Lecture

Barnard Observatory—Tupelo Room

Introduction: Dr. Annette Trefzer, University of Mississippi

 

“Eudora Welty and William Maxwell:  Writers’ Notes on Writing Fiction”

Dr. Suzanne Marrs, Millsaps College

 

6:30-8:30      Creative Panel/Wine & Cheese Reception

Off-Square Books on the Oxford Square

Readings from the prose of:

Andy Johnson, University of Alabama, Tuscaloosa, AL

Nicole Mayeux, University of New Orleans, New Orleans, LA

J.D. Hibbits, McNeese State, Lake Charles, LA

Allie Mariano, McNeese State, Lake Chalres, LA

 

Saturday 14 July 2012

 

8:30-10:30    Awards Breakfast at Big Bad Breakfast

Featuring a Creative Panel With Poetry Readings by:

Caroline Young, University of Georgia, Athens, GA

April Christiansen, University of Arkansas, Fayetteville, AR

Rhonda Lott, Texas Tech University, Lubbock, TX

Nate Friedman, McNeese State University, Lake Charles, LA

 

11:00-12:30             Simultaneous Sessions

 

Panel 4A – Film

Barnard Observatory, Tupelo Room

Chair: Sheena Boran

 

“Reinventing Horrors in 20th Century Film”

J.H. Otterstrom, Northeastern State University of Oklahoma

 

“Whistlin’ Dixie: The Hunger Games Phenomenon as a Simplification of Southern Ethics”

Matt Spencer, Eastern Kentucky University

 

Deliverance and Narrating the Place of Southern Appalachia”

Charles Knight, University of Nottingham

 

Panel 4B – Performing Culture/Community in Faulkner

Barnard Observatory, Room 108

Chair: Dave Miller

 

“A ‘rapport with the fluid cradle of events (time)’: The Role of Rosa Coldfield and ‘Women’s Time’ in Absalom, Absalom!

Melanie Masterton, University of California Riverside

 

“‘What I’m interested in is the husband he seems to have had’: Queering the Community in Light in August

Jason Zerbe, University of Mississippi

 

“‘The lowest thing’?: Faulkner and the New Southern Jew”

Matthew Dischinger, Louisiana State University

 

Panel 4C – Uncertain Narration

Barnard Observatory, Room 109

Chair: Amy K. King

 

“Unreliable Narration and Self-Conscious Fiction: Lee Smith’s Oral History in a New Light”

Caleb Dempsey-Richardson, Eastern Kentucky University

 

“Between the Gaps: Miscegenation within the Sites of Silences of William Faulkner’s The Sound and the Fury

Ren Denton, University of Memphis

 

“The Revised Belle of F. Scott Fitzgerald’s The Tarleton Trilogy: Identity in Revision”

Heather Fox, Virginia Commonwealth University

 

William Faulkner Remembrance Day Program Planned for July 6, 2012

“A William Faulkner Remembrance”

July 6, 2012

Friday, July 6, 2012 will mark the fiftieth anniversary of the death of William Faulkner, perhaps the most distinguished figure in the rich cultural heritage of the Lafayette-Oxford-University (LOU) community.  To commemorate this milestone, promote reading and literacy in the community, and celebrate the role of the arts in our collective life, “A William Faulkner Remembrance” will bring together the LOU community and interested visitors to our area to remember and honor Faulkner’s legacy, a half-century after his passing.  Thanks to the assistance and generous sponsorship of the University of Mississippi departments of English and Southern Studies, the Center for Writing and Rhetoric, the Mississippi Humanities Council, the Lafayette-Oxford Foundation for Tomorrow, the Oxford Convention and Visitors Bureau, Vintage Books, the First National Bank of Oxford, the Lyric Theater, and the City of Oxford, all Remembrance events will be free and open to the general public.

The day’s itinerary will link the sites of town, county, and campus, along with other significant spaces from Faulkner’s personal history.  The program of events will get underway  with a marathon reading of Faulkner’s final novel, The Reivers, on the grounds of Faulkner’s home, Rowan Oak.  Like the marathon readings of Absalom, Absalom! in 1997 (for the 100th anniversary celebration of Faulkner’s birth) and Go Down, Moses in 2005 (for the Mississippi Reads initiative), the reading will draw on volunteer participants who will each read aloud a short section of the novel.  Beginning at 6:30 a.m., it will unfold over several hours.  Refreshments will be served on the grounds of Rowan Oak, and tents and fans will be set up to help keep everyone comfortable in the July heat.

Following the marathon reading, we will adjourn to the second-floor courtroom of the Lafayette County Courthouse, a building immortalized in Faulkner’s fiction, for a pair of keynote addresses at 4:15 p.m.  Faulkner scholar Philip Weinstein will address the significance of the writer’s life and career.  Weinstein, the Alexander Griswold Cummins Professor of English at Swarthmore College, is the author of Faulkner’s “Subject”:  A Cosmos No One Owns, “What Else But Love”:  The Ordeal of Race in Faulkner and Morrison, Unknowing:  The Work of Modernist Fiction, and the 2010 biographical study, Becoming Faulkner:  The Art and Life of William Faulkner, winner of the 2011 C. Hugh Holman award from the Society for the Study of Southern Literature (and reviewed in these pages in the Summer 2011 issue).  Following Weinstein’s address, keynote writer Randall Kenan will comment on Faulkner’s legacy from the literary artist’s point of view.  Kenan, Associate Professor of English at the University of North Carolina and a former John and Renee Grisham Writer-in-Residence at the University of Mississippi, is the author of a novel, A Visitation of Spirits, the story collection, Let the Dead Bury Their Dead, a biography of James Baldwin for young readers, and two works of creative nonfiction, Walking on Water:  Black American Lives at the Turn of the Twenty-First Century, and The Fire This Time.  In his fiction he has created a rural North Carolina community he calls Tims Creek, a domain that bears suggestive affinities with Faulkner’s Yoknapatawpha County.

Remembrancers will reconvene at 8:00 p.m. for a “late show” screening of the 1969 film adaptation of The Reivers (directed by Mark Rydell and starring Steve McQueen, Sharon Farrell, Rupert Crosse, and Will Geer) at the Lyric Theater on the Oxford Square.  The Lyric, of course, has its own special place in Faulkner history, as the venue for the local premier of Today We Live (the first film to be adapted from a Faulkner work) in 1933 and the international premier of Intruder in the Dust in 1949.

In all of these ways the organizers and sponsors seek to create an event that will bring together Faulkner lovers, readers young and old, families, educators and students, and other citizens from the town, county, university, state, and beyond, to recognize and celebrate Faulkner’s extraordinary life and work, his ties to the LOU community, and his formative contributions to the cultural life of the area.  Though the Remembrance is a separately conceived, organized, and funded event from this year’s Faulkner and Yoknapatawpha Conference (July 7-11), which will also feature fiftieth-anniverary reflections and observances, the two programs have been scheduled back to back in anticipation that each event will help create interest in the other, to the benefit of both programs and the local community.  As such, registrants for Faulkner and Yoknapatawpha are invited to come to Oxford a day early and join in the Remembrance festivities on July 6.

To inquire about or volunteer for the marathon reading, send an email message to reivers@olemiss.edu.  Volunteers should provide their names and contact information and may, if they wish, indicate a specific time window or part of the day (early morning, mid-morning, midday, afternoon) during which they are available to read.  The schedule of readers will be finalized later in the spring.  Inquiries concerning other Remembrance events should be directed to Jay Watson, Organizer, at jwatson@olemiss.edu.

 

 

Richard Ford signs CANADA June 11, 5 pm at Off Square Books in Oxford, MS

Pulitzer Prize-winning author, Richard Ford, signs his latest novel, Canada at Off Square Books.

 

Patrick Alexander

Dr. Patrick Elliot Alexander is Assistant Professor of English and African American Studies and co-founder of the University of Mississippi Prison-to-College Pipeline Program. Dr. Alexander holds a Ph.D. in English from Duke University. A specialist in African American literature, 19th-century American literature, and critical prison studies, he has published reviews in American Literature and Obsidian, and an article, “‘To live and remain outside of the barb[ed] wire and fence’: A Prison Classroom, African American Literature, and the Pedagogy of Freedom,” which appears in Reflections: A Journal of Writing, Service-Learning, and Community Literacy. Dr. Alexander’s first book, From Slave Ship to Supermax: Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel, is forthcoming from Temple University Press (2017).

Before joining the faculty at the University of Mississippi, Dr. Alexander co-founded Stepping Stones, an award-winning academic enrichment program for imprisoned students based in North Carolina. Through Stepping Stones, he designed and taught five college preparatory seminars in African American literature for imprisoned men at Orange Correctional Center in Hillsborough, North Carolina. As a faculty member at the University of Mississippi, Dr. Alexander has co-founded the Prison-to-College Pipeline Program (PTCPP) with Dr. Otis Westbrook Pickett, Assistant Professor of History at Mississippi College. The PTCPP is a university-community engagement initiative that promotes higher education in prison in response to high rates of incarceration, high-cost punishment, and recidivism in the state of Mississippi. The PTCPP currently offers on-site, humanities-based, for-credit college courses for imprisoned men at Parchman/Mississippi State Penitentiary and for imprisoned women at Central Mississippi Correctional Facility.

Education

  • Ph.D., English, Duke University (2012)
  • B.A., English/Creative Writing, summa cum laude, Miami University (2006)

Teaching and Research Interests

  • African American literature
  • 19th-century American literature
  • Critical Prison Studies

Selected Publications

From Slave Ship to Supermax: Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel. Philadelphia: Temple University Press. Forthcoming, November 2017.

Review of Jay Garcia, Psychology Comes to Harlem: Rethinking the Race Question in Twentieth-Century America (Baltimore: John Hopkins University Press, 2012) and Eve Dunbar, Black Regions of the Imagination: African American Writers Between the Nation and the World (Philadelphia: Temple University Press, 2013). American Literature 87 (June 2015): 398-400.

“‘To live and remain outside of the barb[ed] wire and fence’: A Prison Classroom, African American Literature, and the Pedagogy of Freedom.” Reflections: A Journal of Public Rhetoric, Civic Writing, and Service Learning 11.1 (2011): 88-108.

Review of Caleb Smith, Prison and the American Imagination (New Haven: Yale University Press, 2009) and Regina Kunzel, Criminal Intimacy: Prison and the Uneven History of Modern American Sexuality (Chicago: University of Chicago, 2008). American Literature 83 (September 2011): 673-675.

Review of Jennifer Griffiths, Traumatic Possessions: The Body and Memory in African American Women’s Writing and Performance (Charlottesville: University of Virginia Press, 2009). Obsidian 11 (Fall 2010): 153-156

Office
 
315 Longstreet Hall


Nic Brown

Nic Brown is author of the novel Doubles and the story collection Floodmarkers, which was selected as an Editor’s Choice by The New York Times. His writing has appeared in the The New York Times, the Harvard Review, Glimmer Train, and Epoch, among many other publications.

 

Education

  • M.F.A., Iowa Writers’ Workshop (2006)
  • B.A., Columbia University (2004)

Magalí Armillas-Tiseyra

Daniel Stout

Dan Stout

Education

  • A.B., Princeton University
  • M.A., Johns Hopkins University 
  • Ph.D., Johns Hopkins University

Teaching and Research Interests 

  • Nineteenth-Century British Literature
  • History of the Novel
  • Critical Theory
Selected publications:
 
Corporate Romanticism: Liberalism, Justice, and the Novel. New York: Fordham University Press, 2017.
 
Theory Aside, co-edited with Jason Potts. Durham: Duke University Press, 2014.
 
 
“Castes of Exception: Tradition and the Public Sphere in The Private Memoirs and Confessions of a Justified
Sinner,” English Literary History 77.2 (2010): 535-60.
 
“Nothing Personal: The Decapitations of Character in A Tale of Two Cities,” NOVEL 40.4 (2007): 29-52.
 
 
 

Office
C214B Bondurant
662-915-2538
dstout@olemiss.edu 

Magalí Armillas-Tiseyra

Magalí Armillas-Tiseyra holds a Ph.D. in Comparative Literature from New York University. Research interests include: theories of aesthetics and politics, genre and narrative theory as well as postcolonial studies and theories of World, comparative, and transnational approaches to literature. Dr. Armillas teaches courses on World Literature, postcolonial studies, and genre (including: magical realism, the short story).

Education:

  • Ph.D., New York University (Comparative Literature, 2012)
  • M.A., New York University (Comparative Literature, 2007)
  • B.A., The George Washington University (English and Creative Writing, 2005)

Teaching and Research Interests

  • Anglophone and Francophone African literature
  • Latin American literature and culture
  • Postcolonial literature and theory
  • World literature and translation studies

Recent and Forthcoming Publications:

  • “The Dictator and his Objects: The Status of the Fetish in the African Dictator-Novel.” Oppositional Arts: Unmasking the African Dictator. Ed. Gichingiri Ndigirigi. Tennessee Studies in Literature. Knoxville: U of Tennessee P. (Fall 2014)
  • “The Unfaithful Chronicler: On Writing about the Dictator in Henri Lopès’s Le Pleurer-rire.” Oppositional Arts: Unmasking the African Dictator. Ed. Gichingiri Ndigirigi. Tennessee Studies in Literature. Knoxville: U of Tennessee P. pp. 186-209. (Fall 2014)
  • Guest Editor (and Introduction). The Global South 7.2. “Dislocations.” (Summer 2014)
  • “Beyond Metaphor: Juana Manuela Gorriti and Discourses of the Nation Under Juan Manuel de Rosas.” Latin American Literary Review 82.42 (June-December 2013)
  • Book Review: In the Name of the Mother: Reflections on Writers and Empire and Globalectics: Theory and the Politics of Knowing by Ngugi wa Thiong’o. e-misférica 11.1: “The Decolonial Gesture” (Summer 2014)
  • Book Review: The Nation Writ Small: African Fictions and Feminisms 1958-1988 by Susan Z. Andrade. Comparative Studies of South Asia, Africa, and the Middle East 33.1 (2013): 125-126

 

Office:

Bondurant C 220

915-7670

marmilla at olemiss.edu

 

Derrick A. Harriell

Derrick Harriell was born and raised in Milwaukee, Wisconsin. He’s worked as assistant poetry editor for Third World Press and The Cream City Review and has taught community writing workshops for individuals of all ages, including senior citizens. A two-time Pushcart Nominee, Harriell’s poems have appeared in various literary journals and anthologies. Cotton (Aquarius Press-Willow Books 2010) is his first collection of poems.
 
Education:
Ph.D. in English, University of Wisconsin Milwaukee (2012)
M.F.A. in Creative Writing, Chicago State University
 
Publications:
Stripper in Wonderland, (2017)
Cotton, (2010)
Ropes, (2013) Mississippi Institute of Arts and Letters 2014 Poetry Award Winner
 
Office:
C130 Bondurant Hall
harriell@olemiss.edu